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Zóbel. The Future of the Past Monday, November 14, 2022
How can we appreciate the work of the great masters without being mere passive receptors of their appeal? How do we submerge ourselves in the art of the past without renouncing our commitment to the modern and contemporary avant-gardes? The answer according to Fernando Zóbel (Manila, 1924-Rome, 1984) was both simple and enormously sophisticated: study them in order to understand them and then reinvent them.
Forty-two paintings, fifty-one sketchbooks and eighty-five drawings and graphic works loaned from collections in Spain, the Philippines and the USA make up this survey through which the Museo Nacional del Prado, with the collaboration of the Comunidad de Madrid, pays tribute to Fernando Zóbel, a key figure in Spanish painting of the second half of the 20th century. Born into a Spanish family in Manila, Zóbel focused intensively on the paintings in the Prado and was the founder of the Museo de Arte Abstracto in Cuenca. He was an artist who saw his painting as an instrument with which he could navigate the complex routes traced by the history of art in order to both admire and understand them.
Curators: Felipe Pereda, Fernando Zóbel de Ayala Professor of Spanish Art at the University of Harvard, and Manuel Fontán del Junco, director of Museums and Exhibitions at Fundación Juan March.